Saturday night, Sunday morning shows a very realistic view of Britain at the time it was made. It represents the 'common people'.
It is set in an industrial town setting and rejects certain moral dominant issues of the time period. The main character is thought to be an anti-hero, a protagonist whos views are antiethical to traditional heroism.
It is a very gritty and provocative and holds up a mirror showing what Britain is really like.
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